The streetwise alternative to “Girls,” the movie weaves together such a complete vision of its subjects that the rest of the world barely exists. At odds with the strict expectations of her single-parent Hispanic household, Camille enters the Skate Kitchen as a rebel in training, gleaning much from watching her new peers do exactly as they please.Īs teen-girl bonding stories go, “Skate Kitchen” stands out for the way it imports the all-too-familiar sight of young women talking through their lives. Vinberg (also the short’s centerpiece) stands out as an especially involving character her sullen, bespectacled face captures the struggles of a young woman both repressed and keen on finding a community willing to accept her. Moselle previously documented the Skate Kitchen in her 13-minute 2016 short film “That One Day,” and she excels at permeating the lives of her hip subjects, who gamely rise to the challenge of riffing on their real personalities.
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“Skate Kitchen” eventually sags into formula, as Camille falls for a local skater (Jaden Smith, the movie’s sole professional actor) and complicates her allegiances to her clique, but the movie works best when it simply marvels at its feisty subjects and their talent. It’s not hard to recognize the imprint of Moselle, whose “The Wolfpack” also focused on a distinctive subset of New York life hidden from the rest of the world.
and swap moves in between cruising around town stirring up trouble on the streets. For a while, the movie simply lingers in the group’s dynamics, as they smoke pot, engage in giddy girl talk - guys suck, tampons are essential, etc. It’s a colorful crew: The women play variations on themselves, and Moselle allows their distinctive personalities to stand out, from assertive lesbian Kurt (Nina Moran) to supportive Janay (Ardelia Lovelace). Once Camille discovers the Skate Kitchen on her feed, she tracks them down to the Lower East Side and quickly meshes with the rowdy gang, while keeping her mother at bay with a stream of lies about her new pursuit. (One peer later describes it as getting “credit carded.”) Captured with fluid camerawork that glides alongside skateboarders and makes the injury hit hard, it’s a visceral illustration of the movie’s central idea - skating may be a boy’s club, but it doesn’t have to be that way. In the first scene, she face-plants on the concrete and endures a bloody anatomical injury that her all-male skater companions can’t possibly comprehend. That’s the arc for Camille (Rachelle Vinberg), an 18-year-old Long Island skateboarder who contends with her single mother’s controlling household by hitting the streets.
At a moment of extreme paranoia about the future of communication, it’s a rare optimistic contrast. The source material isn’t a gimmick so much as it establishes a credible foundation to root this sturdy coming-of-age premise in modern times, when alienated teens who escape the world through their phones - and there, they discover more people like them. Director Crystal Moselle’s narrative debut following her Sundance-winning documentary “The Wolfpack” follows an embellished version of the titular all-girl skate crew, a group of chic New York women whose social media documents their raucous skating antics. While often conventional, “ Skate Kitchen” actually offers something unprecedented in film history: It’s the first movie adapted from an Instagram feed.
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